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What’s on your mind? The opening chant is then concluded by the soprano and alto lines coming together, solidifying the F minor key. This should be the benchmark of all that we composers are looking for. So, this is the principle I work with now. The text, which is related to the Eucharist, is widely known as the antiphon for the first communion, and the washing of yjeilo feet from the Mass for Maundy Thursday. Similar to the opening section, the soprano voice carries the initial melodic line. The text that is at the centre of the work can be seen below. Whilst the alto voice sustains an F tonic carltas, the tenor and bass voices descend in step-wise motion, with the soprano voices ascending in the same manner. Gjeilo began playing piano, and gravitated towards jazz improvisation. Is my music modern enough? The opening chant is then presented again, but this time with all SATB in unison. Ola Gjeilo ‘Ubi Caritas’: Let Us Rejoice! – Classicalexburns
Ola Gjeilo celebrating years of timeless choral music. With a sound at once modern and medieval, this remarkable setting of the familiar Latin text starts in unison and evokes plain chant, and gradually unfolds into. From an early age he was exposed to a range of different genres of. Ola Gjeilo was born in, in Sandvika, Norway.
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